Course No. LLC 318 Credits: 3.0
Faculty Scott Lax
Prerequisite(s) Writing + Inquiry I: Basic Composition + Contemporary Ideas | Writing + Inquiry I: Basic Composition + Contemporary Ideas | Writing + Inquiry II: Research + Intellectual Traditions | Writing + Inquiry II: Research + Intellectual Traditions
What is a spec script, a slugline, a smash cut? What's the difference between montage and a series of shots, and why does the screenwriter need to know? One script page averages how many minutes of onscreen film time? In addition to the demands of just plain good storytelling, writing for film entails expressing everything about the story visually, which gives visual artists an advantage in adapting to the demands of the form. It is the screenwriter's job to put all of the sights, sounds and speeches on the page, while still leaving room for interpretation by the filmmakers. In this course we will discuss the elements of good storytelling, study the screenplays of Pulp Fiction and Chocolat, and write a short screenplay formatted to conform to industry standards. Fulfills Humanities/Cultural Studies distribution requirement. Creative Writing Concentration course. Prerequisites: LLC 101 and LLC 102.
Associate Professor | Interim Chair of Liberal Arts
Zach Savich is a poet and nonfiction writer. His books include the poetry collections Daybed (2018) and The Or...more
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