Animation

Lincoln Adams has worked for 20 years as an illustrator, storyboard artist and designer. His projects have included magazines, television shows, character design, book covers, and greeting cards and was selected to the 47th Annual Society of Illustrators West Show in Los Angeles.

He as worked on popular animated shows such as Hasbro's Hanazki, Barbie: Spy Squad and Reboot the Guardian Code ( currently on Netflix), Disney XD's Max Steel, Slugterra, Monster High (Netflix), Veggie Tales, Disney Junior's Doc McStuffins, Nickelodeon's Shimmer and Shine as well as Happos a BAFTA Award-nominated series for Turner Broadcasting's Boomerang Channel.

Additionally, Lincoln has worked on three animated features. Henchmen for Bron Animation, 100% Wolf for Flying Bark Animation and the highly anticipated Ron's Gone Wrong for Locksmith Animation.

Lincoln moves fluidly back and forth between traditional, tactile mediums and digital mediums to execute ideas— often times incorporating both within a piece.

Lincoln Adams has worked for 20 years as an illustrator, storyboard artist and designer. His projects have included magazines, television shows, character design, book covers, and greeting cards and was selected to the 47th Annual Society of Illustrators West Show in Los Angeles.

He as worked on popular animated shows such as Hasbro's Hanazki, Barbie: Spy Squad and Reboot the Guardian Code ( currently on Netflix), Disney XD's Max Steel, Slugterra, Monster High (Netflix), Veggie Tales, Disney Junior's Doc McStuffins, Nickelodeon's Shimmer and Shine as well as Happos a BAFTA Award-nominated series for Turner Broadcasting's Boomerang Channel.

Additionally, Lincoln has worked on three animated features. Henchmen for Bron Animation, 100% Wolf for Flying Bark Animation and the highly anticipated Ron's Gone Wrong for Locksmith Animation.

Lincoln moves fluidly back and forth between traditional, tactile mediums and digital mediums to execute ideas— often times incorporating both within a piece. A firm believer that the traditional informs the digital, he continues training and experimenting in both. Lincoln's primary tactile mediums include oils, wax crayon and colored pencil, and monoprints. His digital expertise includes the use of the Cintiq via Photoshop and InDesign, and Storyboard Pro.

However, even with all of the various approaches to technique and execution, one thing stands out as the most vital component in Lincoln's work— Story. And it is what is what he espouses in all of the courses he teaches as the chief ingredient toward success in the entertainment art world.

Client List:

Nickelodeon Animation
Locksmith Animation
Flying Bark Animation
Dreamworks Television Animation
Bron Animation
Netflix
Walt Disney Television Animation
Titmouse Studios
Turner Broadcasting
Lucasfilms
Acclaim Entertainment
Big Idea Entertainment
Nerdcorps Entertainment
Rainmaker Entertainment
Arnold Worldwide
Brown Bag Films
Spider Eye Animation
Zack Petroc Studios
American Greetings
General Motors

To learn more about Lincoln read his interview at Animation Insider!
http://www.animationinsider.com//?s=lincoln+adams
http://www.imdb.com/name/nm8555511/