Mar 04, 2014
Ten CIA grads talk about automotive design careers in three new videos
Feb 14, 2014
2014 Student Independent Exhibition
Feb 28, 2014
Progressive acquires artwork by CIA instructor Dan Tranberg
Mar 28, 2014
The Accident: Recent Work by Nicky Nodjoumi
a day ago via Facebook
Rainy Saturday in Cleveland? Shake off the weather blahs at SIE, the Student Independent Exhibition, on view in CIA’s Reinberger Galleries through March 15. For details, gallery hours, and list of this year’s award winners, go to: http://ow.ly/ultVi http://ow.ly/i/4OVK8 http://ow.ly/i/4OVPE
Feb 19, 2014
Photography major captures images on hand-blown glass
Mar 28, 2014
Dinner by Design – Art of the Table, and a runway show
Feb 14, 2014
Glass major wins award in Niche magazine competition
Apr 22, 2014 @ Museum of Contemporary Art Cleveland in Cleveland, OH
2014 Spring Design Show
Mar 05, 2014
3/6-9: Jon Jost in person, Bettie Page Reveals All, THe Pawnbroker & more!
Blog . Blending Modes Demystified
If you ever wonder how the blend modes function in Adobe Photoshop, this tutorial will shine some light on the possibilities! Today I will be selecting a few and explaining them as well as showing you how they work in a piece I have made from my own photos.
There are 26 blending modes total, the ones I will talk about are:
If the pixels are darker in the layer selected than the pixels in the layers below, they are kept in the image. It takes any pixels that are lighter and replaces them with tones from the layers beneath it. Basically, this mode keeps the darker tones and replaces the lighter ones with tones from your other layers.
This mode is a combination of Screen and Multiply because it affects the lighter and darker pixels by applying them half-strength to the layer. It turns all of the mid-tones transparent. In this mode the layer selected is transformed by the layers below.
This mode is similar to Overlay, but it has a more natural/soft effect resulting in semi-transparent lights and darks.
This mode is a combo of Color Dodge and Color Burn. It uses both at half-strength, making the brights brighter and the darks darker.
This mode is a combo using Lighten on pixels that are lighter and Darken on pixels that are dark at half-strength. If the pixels on the active layer are darker or lighter than the pixels on the layers below, they will remain visible. If they are not darker or lighter they will disappear. This mode removes all of the mid-tones while it can also result in large noise areas within the image.
This mode keeps all the colors from the active layer selected and blends the saturation and luminance from the layers below. The result is an image from the layers below and only the colors from the top layer.
I used all of these blending modes in my example piece, and took a screen shot to show how the layers interact with each other once the blending modes are selected.