Story: Oct 21, 2014
Senior curates exhibition of current students, recent grads ...
CIA Exhibition: Oct 17, 2014
Adam Markanovic: No Body to Love
Story: Oct 20, 2014
CIA grad transforms Corvette into canvas on wheels
Events: Nov 06, 2014 @ Cleveland Institute of Art in Cleveland, OH
Unruly Engagements Conference
Social: about 2 hours ago via Facebook
What does it mean in contemporary art and design to be socially engaged? Cleveland Institute of Art invites you to attend an international conference November 6...
Story: Aug 27, 2014
New residence hall welcomes first-year students in comfort, ...
CIA Exhibition: Nov 07, 2014
Opening Reception Community Works: Artist as Social Agent
Story: Aug 18, 2014
CIA again named to "Best in the Midwest" list
Blog . Urban Nature
University Circle is orange, gold, and red with the leaves changing color, so I went on a photography adventure! I have a collection of macro photos of colors and textures I like to use in projects. For digital paintings and 3D models my stash has come in handy to make my images more believable.
I like the idea of mixing elements of city life and nature. The struggle for one to overtake the other is never-ending, but in my design they work together. I made a graffiti-style logo inspired by one of the images I took of a leaf. The intricate veins of the leaf provided organic contrast to the tag lettering.
I worked in Adobe Photoshop using the pen tool to draw out my letters on separate layers. There wasn't any rhyme or reason to it, I created abstract shapes that could resemble letters in a solid color so that I can use them as a clipping mask. I overlayed a green and blue gradient to compliment my leaf texture and clipped to my letter shapes. I had to duplicate a the texture and gradient for each letter. Merging layers will be necessary each time a new element is clipped, make sure to save several versions of the file to be able to go backwards and revise. As I got close to finishing, I realized I need to go back into the file to duplicate my letter shapes and offset for the shadow, saving as a different file saved me!
I used a hard-edged round brush to create the paint splatters and drips behind my logo. To give it a halo effect, I again merged all of my individual layers into one so that I could double-click the layer and give it an outer glow. In my workflow I always save refining details as the last step.
With all of my layers merged so that my logo can be exported as a PNG with no background, I imported the file onto a brick background to set the scene. I adjusted the color balance of the brick wall to have more blue undertones to match the cool colors of my design. I set the blending mode of my logo to "hard light" to make it look like it was painted on the wall. When artist's block hits, go outside and be inspired!