Dec 06, 2013
New video highlights George Kozmon's playful work
Nov 02, 2013
Cinematheque to show eight classic comedies by Ernst Lubitsch
Dec 02, 2013
Industrial design grad gives TEDx talk on creative play
Nov 08, 2013
2013 Fall Exhibition
about 8 hours ago via Facebook
Alums Pamela Argentieri, Mike Mikula, John Carter, and David Pohl from the class of 1987 break for a photo in Reinberger Galleries. #throwbackthursday #tbt #ciatbt
Dec 02, 2013
CIA's Contemporary Artist Index: 31,000 strong, and now easier to use than ever
Dec 13, 2013 @ CWRU White Building, Room 411 in Cleveland, OH
CWRU + CIA game design final presentation with Microsoft Game Studios
Nov 22, 2013
CIA wins UCI award for Euclid Avenue ArtBox project
Jan 13, 2014
34th annual Scholastic Art & Writing Exhibition
Dec 10, 2013
12/12-14; The Last Time I Saw Macao, White Reindeer, Two by Lubitsch
Blog . Special Effects Zombie Photo Editing
The Walking Dead TV series is about to start up again and I'm in the Halloween spirit! I'll show you how I transformed a photo to look like the undead in Adobe Photoshop. Also, keep this in mind for the zombie photo contest the Digital Canvas Initiative will be hosting!
I started with a picture I found on Wikimedia Commons of a dramatic self-portrait. Wikimedia Commons is a great resource for photos, sound, and video in the public domain. In Adobe Photoshop, I stumbled upon a great technique using the burn tool while giving a digital painting demo. Usually I make new layers for EVERYTHING, but this time on accident I was using the burn tool right on the image and discovered it made the guy in my photo look like he got punched in the eye. The more I layered the amount of burn, the more gruesome his face became.
Playing with the different brush shapes will really make this effect look convincing. I used the blob and splatter-shaped brushed to go back over the burned areas on his face with some red, green, yellow, and purple to make the bruising more believable. I also used the long, bristly brushes to give him some scratches.
I took advantage of the blending modes of the layers and brushes to mesh my painting layers with the photograph. For the bloodshot eyes, I took the opacity of my brush way down and set the layer to "multiply."