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Naama, 1939. H. 44.2 cm. Many of Viktor's animal sculptures, inspired by travel to North Africa and other exotic places, emphasize the distinct shapes of these creatures. The silhouette of this camel, according to art historian Henry Adams, flows like a line drawing.

Material for these captions was taken largely from
Viktor Schreckengost and 20th-Century Design by Henry Adams
(Cleveland Museum of Art, 2000).

Viktor Schreckengost

Born the son of a commercial potter in Sebring, Ohio, Viktor Schreckengost learned the craft of sculpting in clay from his father. In the mid-1920s, he enrolled at the Cleveland School of Art (now The Cleveland Institute of Art) to study cartoon making, but after seeing an exhibition at the Cleveland Museum of Art he changed his focus to ceramics. Upon graduation in 1929, he studied ceramics in Vienna, Austria, where he began to build a reputation, not only for his art, but also as a jazz saxophonist.

A year later, at the age of 25, he became the youngest faculty member at CIA. In 1931, Schreckengost won the first of several awards for excellence in ceramics at the Cleveland Museum of Art, and his works were exhibited at the Metropolitan Museum of Art, the Art Institute of Chicago, the Panama-Pacific Exposition in San Francisco, and elsewhere.

By the mid-1930s, Viktor had started to pursue his interest in industrial design. More.

Artist's Statement (PDF 68K)

www.viktorschreckengost.org