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Story: Sep 11, 2014

Two CIA grads commissioned for CWRU public art works

View details 2014 Faculty Exhibition

CIA Exhibition: Aug 28, 2014

2014 Faculty Exhibition

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Story: Sep 10, 2014

Painting chair curates exhibition exploring art, materials

View details Mizoguchi's Greatest Decade

Events: Sep 06, 2014

Mizoguchi's Greatest Decade

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Social: about 7 hours ago via Facebook

Tina Cassara, professor and co-chair of the Sculpture + Expanded Media Department, has an exhibition opening Thursday night at The Sculpture Center, 1834 E. 123...

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Story: Sep 02, 2014

CIA ingenuity will be on display at arts and technology fest...

View details Lunch On Fridays: Marc Petrovic

Events: Sep 19, 2014

Lunch On Fridays: Marc Petrovic

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Story: Aug 27, 2014

New residence hall welcomes first-year students in comfort, ...

View details Filmmaker and author John Waters to present one-man show

Events: Sep 27, 2014

Filmmaker and author John Waters to present one-man show

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Blog: Sep 17, 2014

9/18-21: Polyester, Ivory Tower, Policeman & more!

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Story: Aug 18, 2014

CIA again named to "Best in the Midwest" list

View details A Creative Life featuring Paul Yanko

Events: Oct 18, 2014 @ William Busta Gallery in Cleveland, OH

A Creative Life featuring Paul Yanko

Academics . Courses

Courses Courses

Collage + Assemblage

Course No. VAT 212-312-412  Credits: 3.0

Collage and Assemblage are among the most radical innovations of the early 20th century and these forms remain relevant today as sources for innovation and experimentation. Each of these forms acknowledges the fracture of contemporary life and the ongoing need for new means of expression. This course will explore the relationship between collage and assemblage and various disciplines within the visual arts including Painting, Print, and Drawing. Students will learn to discern the significantly different effects and content of the wide range of strategies these approaches encompass. Through classroom discussion, lectures, readings, critiques and studio work students will explore the possibilities available through collage and assemblage. Emphasis will be given to the historical and contemporary studio practices associated with collage and assemblage. This course is open to all students from all majors. Students will be encouraged to apply their area of expertise to the studio work.

Color, Scale, Mark, & Form

Course No. DRG341.1  Credits: 3.0
Prerequisite(s) Intro to Painting: Painting History: 1828-Present

Figurative', 'abstract', 'conceptual', 'non-objective', 'romantic landscape", "post-modern", artworks all have an underlying structure. This studio course examines how the specificity of color, scale, mark and shape form and affect a painting's content. Students will be encouraged to focus on their own body of work while exploring issues of content within the themes of the class through the investigation of their own studio practice, as well as looking at and analyzing the work of other artists throughout history. This course will be of particular interest to students in painting, drawing, & printmaking. Open to all Majors as Elective.

Color, Scale, Mark, & Form

Course No. DRG441.1  Credits: 3.0
Prerequisite(s) Intro to Painting: Painting History: 1828-Present

Figurative', 'abstract', 'conceptual', 'non-objective', 'romantic landscape", "post-modern", artworks all have an underlying structure. This studio course examines how the specificity of color, scale, mark and shape form and affect a painting's content. Students will be encouraged to focus on their own body of work while exploring issues of content within the themes of the class through the investigation of their own studio practice, as well as looking at and analyzing the work of other artists throughout history. This course will be of particular interest to students in painting, drawing, & printmaking. Open to all Majors as Elective.

Color, Scale, Mark, and Form

Course No. VAT 328-428  Credits: 3.0

Figurative’, ‘abstract’, ‘conceptual’, ‘non- objective’, ‘romantic landscape”, “post- modern”, “Bob Ross-ian”, paintings all have an underlying structure. This studio course examines how the specificity of color, scale, mark and shape form and affect a painting’s content. Students will be encouraged to focus on their own body of work while exploring issues of content within the themes of the class through the investigation of their own studio practice, as well as looking at and analyzing the work of other painters and artists throughout history. This course will be of particular interest to students in painting, drawing, + printmaking.

Communication Des - Internship

Course No. CDS399.1  Credits: 3.0

Communication Des: Internship

Course No. CDS499.1  Credits: 3.0

Communication Skills

Course No. IND 285  Credits: 3.0
Faculty Peter McEachen | Robert Martinez

This course will focus on the development of effective visual communication. An emphasis will be placed on exploring and communicating ideas through sketching, rendering, orthographic drawing, modeling and verbal/visual presentation. Studio time will include demos, one-day assignments, work time and one-on-one instruction. Coursework is designed to align with projects in Industrial Design 1.1. Offered sophomore fall.

Communication Skills

Course No. IND 286  Credits: 3.0
Faculty Dennis Futo | Peter McEachen | Robert Martinez
Prerequisite(s) Communication Skills

This course is an extension of Fall Communication Skills and will focus on the development of effective visual communication. An emphasis will be placed on exploring and communicating ideas through sketching, rendering, orthographic drawing, modeling and verbal/visual presentation. Digital communication tools and techniques will be introduced, including the use of digital drawing tablets. Studio time will include demos, one-day assignments, work time and one-on-one instruction. Coursework is designed to align with projects in Industrial Design 1.2. (prerequisite: Communications Skills 1.1). Offered sophomore spring.

Cores + Connections

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While at CIA, you'll learn from the masters through our rigorous, world-class curriculum and connect with working professionals to begin your career.

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Community Works

Visiting artists, exhibitions, conference and symposia exploring socially engaged art.

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Cores + Connections

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