Apr 16, 2014
CIA's 'focused workshop environment' paid off
Mar 15, 2014 @ MOCA Cleveland in Cleveland, OH
CIA's Traveling Sketchbooks make a last stop at MOCA
Apr 15, 2014
Students win $11,000 in Dealer Tire art competition
Mar 28, 2014
Dinner by Design – Art of the Table, and a runway show
15 minutes ago via Facebook
Industrial Design automotive interior design project - 1994 #throwbackthursday #tbt #ciatbt
Apr 11, 2014
Romanian visiting artist brings new perspective to CIA
Mar 28, 2014
The Accident: Recent Work by Nicky Nodjoumi
Mar 18, 2014
Corvette designer returns to teach, show his latest work
Apr 14, 2014 @ University Hospitals Case Medical Center in Cleveland, OH
2014 Biomedical Art Spring Show
Apr 15, 2014
4/17-19: Benicio Del Toro in Jimmy P, Hitchcock's To Catch A Thief & more!
Academics . Courses
Photo: Alternative Processes
Course No. PHV291/391/491 Credits: 3.0
Faculty Mary Jo Toles
Prerequisite(s) Photo I: Mechanics of Digital + Darkroom Photography | Digital Photo Imaging I | Digital Photo Imaging I
This course investigates the historical processes, contemporary practices, and concepts of alternative photography. This includes non-silver techniques, hand-applied emulsions, chemical, digital and hybrid processes for photographic imaging. Processes demonstrated may include Cyanotype, Van Dyke Brown, Wet Plate Collodion, Platinum-Palladium, Liquid Emulsion and silver and non-silver toning options. Large format negatives for non-silver processes are generated using conventional film cameras, paper and digital negatives as well as photogram and pinhole photography. This course is project-based, involves research and experimentation, and is conducted through hands-on demos and instructional workshops. Open Studio Elective. Recommended for Photography majors. Prerequisites: PHV 295 Photo I: Mechanics of Digital + Film Photography; PHV301 Digital Photo Imaging I, or instructor signature.
Photo: BFA Portfolio + Exhibition
Course No. PHV496M Credits: 3.0
Faculty Nancy McEntee
Students enrolled in this course build a cohesive portfolio of work to be presented professionally, at their Bachelor of Fine Arts Exhibition and complete their written Thesis. Students refine conceptual and technical aspects of their own and assignment-based work. Individual BFA Thesis projects are contracted with each student along with calendar dates for all phases of work to be completed. The course format maximizes the potential for dynamic group interaction and facilitates essential one-on-one exchange with faculty and individual students. Within critique and classroom discussion, relevant contemporary, historical, theoretical, and artistic practices are discussed. Faculty provides a balance of assignments, lectures, critiques, visiting artist lectures, workshops and demonstrations as needed. Professional practices and development of an artist exhibition are covered as part of this course. Senior Photo majors are presented with many opportunities to present work to gain the confidence and skills necessary to communicate to a broad range of audiences. Senior Photo Majors are expected to participate in local, regional and national exhibitions. Graduating students are also required to conduct regular meetings with members of their BFA Advisory Committee throughout the semester. Required of Senior Photography majors. Offered spring.
Photo: BFA Thesis + Research
Course No. PHV495M Credits: 3.0
Faculty Nancy McEntee
This course will provide a framework for developing a conceptual photographic philosophy and written BFA Thesis. Students develop a thesis proposal and written Thesis in conjunction with work they will present in their BFA exhibition and final portfolio. Students hone critical and theoretical skills in photography by examining historical and contemporary practices that have emerged with respect toward concepts and processes. Students investigate these ideas through critical readings, discussions, writing, and field trips. Portfolio, exhibition, professional presentation, and writing skills are fine-tuned in this semester of study. The course format maximizes the potential for dynamic group interaction and facilitates essential one-on-one exchange with faculty and individual students. Senior Photo majors are presented with many opportunities to present work to gain the confidence and skills necessary to communicate to a broad range of audiences. Projects include a Thesis exhibition proposal, written Thesis, and calendar dates for all phases of work to be completed. Individual projects working towards their BFA exhibition are contracted with each student. Required of Senior Photography majors. Offered fall.
Photography: Installation & Constructed Objects
This course is a special topic course designed to cover the design, construction and lighting of installations, stage sets, and performance spaces. Students will investigate contemporary applications and approaches to subjects specifically composed for the camera and document installations that exist outside of the studio environment, with an emphasis on the genre’s relationship to historical and contemporary theatre. Workshops include cameras, studio lighting, basic electricity and carpentry, with an emphasis on scenery design. Students will plan and create small-scale models of stage designs; scale up these designs, and document their design. This course will be of special interest to photography students and those working in both installation and industrial design. Open to all majors. Cross-listed with Visual Arts.
Course No. PHV299/399/499 Credits: 0.0
Elective credit can be given on a case-by- case basis for an internship developed by student through the career services office, with advance permission of instructor and head of department.
Poetry Writing Workshop
Course No. LLC211W Credits: 3.0
Faculty Susan Grimm
This class will focus on the creation, revision, oral and visual presentation of poems. Because good writing requires deep reading, we'll also be reading and responding to poems from an anthology throughout the semester. Students will be required to keep a journal that responds to anthology poems in the form of imitation poems, commentary, letters to the poets, or illustrations. Class time will be spent doing writing and revision exercises, small-group work, discussing poems from the anthology, playing with various aspects of poetry, and workshopping poems written in class. The final project will entail creating a chapbook of poems written during the semester. Fulfills Humanities/Cultural Studies distribution requirement. Creative Writing Concentration course.
While at CIA, you'll learn from the masters through our rigorous, world-class curriculum and connect with working professionals to begin your career.
Sharpen your artistic skills at CIA's Pre-College Program this summer.
Nicky Nodjoumi and Dinner by Design exhibitions
CIA welcomes spring with two very different shows opening on March 28.
Cores + Connections
Learn more about CIA's proven method for academic and professional excellence.