Apr 15, 2014
Students win $11,000 in Dealer Tire art competition
Mar 15, 2014 @ MOCA Cleveland in Cleveland, OH
CIA's Traveling Sketchbooks make a last stop at MOCA
Apr 11, 2014
Romanian visiting artist brings new perspective to CIA
Mar 28, 2014
Dinner by Design – Art of the Table, and a runway show
about 11 hours ago via Facebook
Join us tomorrow, April 16 at 6:30pm at the Cleveland Museum of Natural History’s Nathan and Fannye Shafran Planetarium for a one-night-only screening of 360 Degrees of Sight + Sound: The Planetarium Project. This public program will feature animations created by CIA students that bring compositions created by Cleveland Institute of Music students to life. See more info. at http://ow.ly/vOSYt
Apr 06, 2014
April 16 is encore of 360 Degrees of Sight + Sound: The Planetarium Project
Mar 28, 2014
The Accident: Recent Work by Nicky Nodjoumi
Mar 18, 2014
Corvette designer returns to teach, show his latest work
Apr 14, 2014 @ University Hospitals Case Medical Center in Cleveland, OH
2014 Biomedical Art Spring Show
Apr 15, 2014
4/17-19: Benicio Del Toro in Jimmy P, Hitchcock's To Catch A Thief & more!
Title V.P. of Faculty Affairs and Chief Academic Officer, Professor
Degree Whitney Museum Independent Study Program; MFA, Rhode Island School of Design; BFA, Wayne State University
Christopher Whittey is currently Vice President of Faculty Affairs and Chief Academic Officer at the Cleveland Institute of Art. Prior to this position he served as Vice President for Academic Affairs and Dean at Maine College of Art (MECA) and was the Dean of Academic Services at Maryland Institute College of Art (MICA), where he served as faculty from 2001-2009. After studying at the Center for Creative Studies and receiving his Bachelor of Fine Arts degree from Wayne State University, Whittey worked as a master carpenter building stage sets and props in New York for such prestigious venues as the Metropolitan Opera, Saturday Night Live and The Conan O'Brien Show. In 1989, he returned to complete his formal education at the Rhode Island School of Art and received his Master of Fine Arts degree in 1991.
The following year, Whittey was selected to attend the prestigious Whitney Museum Independent Study Program. His work has been showcased in numerous locations including White Columns and The Thread Waxing Space in New York and he has received a New Jersey State Council on the Arts Fellowship, Van Lier Foundation Grant (awarded by the Whitney Museum Independent Study Program), Individual Artists Grant from New York's Artist Space, and the faculty development grant from MICA. Publications include The Detroit News, The New York Times, The Village Voice, Documents and World Art.
Courses Aesthetics, Style, and Content | BFA Production + Independent Research: Research + Production. | Charette: Self + Other Voices | Drawing I | Drawing II | Systems Drawing | The Rhetorical Object: Conceptual Constructions
Degree Freie Kunstschule (Independent Art School) Nurtingen (Germany)
Academy of Fine Arts at the Staatlicen Akademie der Bildenden Kunste (State Academy of the Fine Arts), Stuttgart (Germany) MFA
Christian Wulffen has been an Associate Professor since 2003.
I am concerned with how artists achieve knowledge and how they structure knowledge. This intersects with my concern as a teacher and artist, to encourage participants to reflect on the processes that an artist goes through--for example, an intuitive creative thinking process, intentional purposeful engagement, and adherence to a model or system.
These thought processes can be contextualized further by situating them within larger theories of knowledge production, as outlined by W. J. T. Mitchell: “semiotics, structuralism, deconstruction, system theory, speech at theory, ordinary language philosophy and now image science or critical iconology”.
To convey this notion of action as a mode of knowledge production, I use specific symbols for my work, one of these: boards that are pre-manufactured with three vertical slots and one horizontal slot (plywood).
From the viewer’s perspective, the board has the option to hold various information. From my perspective, I see this as a concept to display information to exercise the different links in its display from one board to another. My environment is a grid—one of the hallmarks of modernist abstraction and capable, as a visual symbol, of signifying a whole system of art production and thought. This idea is depends on the perspective of the viewer and how that viewer is situated in a distributed network of production and reception of the information about this subject.
Crucially for me, the painting, the paper, and the board (as in my recent production), simulate the portability of information. I am interested in its mobility as a sign in which sender and recipient receive the same information but decode it differently depending on their respective environments.expand collapse
Sharpen your artistic skills at CIA's Pre-College Program this summer.
Nicky Nodjoumi and Dinner by Design exhibitions
CIA welcomes spring with two very different shows opening on March 28.
Cores + Connections
Learn more about CIA's proven method for academic and professional excellence.