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Story: Oct 20, 2014

CIA grad transforms Corvette into canvas on wheels

View details Unruly Engagements Conference

Events: Nov 06, 2014 @ Cleveland Institute of Art in Cleveland, OH

Unruly Engagements Conference

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Story: Oct 16, 2014

Commitment to CIA runs deep for Charles Mayer '64

View details Opening Reception Community Works: Artist as Social Agent

CIA Exhibition: Nov 07, 2014

Opening Reception Community Works: Artist as Social Agent

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Social: 3 days ago via Facebook

CIA and The Euclid Tavern go way, way back. Countless alumni, including renowned rock poster artist Derek Hess 88, have happy memories of good times and great ...

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Story: Aug 27, 2014

New residence hall welcomes first-year students in comfort, ...

View details Fall 2014 Open House

Events: Nov 15, 2014

Fall 2014 Open House

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Story: Aug 18, 2014

CIA again named to "Best in the Midwest" list

Academics . Painting . Faculty . Christina Cassara

Painting

Christina Cassara

Christina Cassara

Title Professor/Co-Chair of Sculpture + Expanded Media
Department Painting
Phone 216.421.7381

Courses  BFA Statement + Exhibition | Charette: Collaboration + Community | Fiber: Advanced Studio: Topics in Contemporary Art + Culture | Fiber: Sewing + Fabrication Processes | Fiber: Silkscreen | Material Matters | On the Body | Sculpture + Expanded Media | The Extended Body

Tina Cassara received a BA in urban studies, emphasis in sociology from Barnard College, Columbia University. Following graduation, she moved to Viques, in the Juan region of Peru, and studied with Francisca Mayer from Black Mountain College, teaching natural dyes derived from indigenous plants to local weavers. Her travels continued through the Collao Altiplano region of Bolivia. While living in New York City, Cassara was co-editor of Sing Out! magazine before attending Cranbrook Academy of Art, where she received an MFA from the fiber department. Cassara has since conducted extensive research into women’s labor in the American textile industry, issues of European migration and relocation, and more recently, the assigned value of labor in historically women-dominated textile industries in the South. In the late 1990s, Cassara began exploring the history of textile production. A strong advocate for organized labor, she began conducting interviews in LaGrange, GA, and nearby mill towns, speaking with retired textile workers, factory owners, surviving union organizers, and members of textile heritage societies. In 2008–09, Cassara was awarded a sabbatical to further her research in the network of textile heritage societies, including travel to Cooleemee, NC, working with organizers of the Textile Heritage Initiative and members of the Troop County Historical Society. Cassara's research also continues in Scranton, PA, where she is examining documents and photographs related to the growth of the mining and silk textile industries

Degree MFA, Cranbrook Academy of Art; BA, Barnard College, Columbia University

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