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Painting

Academics . Painting . Faculty

Painting Faculty

Lane Cooper lanecooperart01.jpg

Lane Cooper

Title Associate Professor/Chair of Painting
Department Painting
Phone 216.421.7357

Courses  Art + Design History I: Ancient-18th Century | Art + Design History II: 18th Century-1945 | BFA Statement + Exhibition | Expanded Print: New Imaging | Hybrid Approaches to Drawing + Painting: Digital Media | Intro to Painting: Painting History: 1828-Present | Role of the Artist as Producer | Senior Studio: BFA Research | Systems Drawing | Water+: An Exploration of Water-Based Media

Degree MFA, Painting, University of Alabama (Tuscaloosa); MA, Art History, University of Alabama at Birmingham; BS, University of North Alabama

Lane Cooper is an artist, who works through painting, sound, video, text and, on occasion, performance. Her work has been presented in venues ranging from Birmingham, AL, to Madrid, Spain. In 2009 she participated in a residency at The Banff Centre located in Alberta, Canada, and in the fall of 2010 she was an artist-in-residence at Gallery Aferro in Newark, NJ, where she exhibited as part of the 2011-12 season. She holds a master's degree in art history with an emphasis in contemporary art and an MFA in painting. She has been teaching since 1989, and since the spring of 2001 she has taught full-time at the Cleveland Institute of Art.

Karl Anderson

Title Technical Specialist
Department Painting
Phone 216.421.7355

Anthony Ingrisano

Anthony Ingrisano

Title Assistant Professor
Department Painting
Phone 216.421.7000

Courses  Collage + Assemblage | Drawing I | Drawing: Style Context | Material Color | Painting After the Photograph: Painting in the Age of Mechanical Reproduction | Painting Seminar: Contemporary Issues in Painting

Degree MFA, Pratt Institute

Anthony Ingrisano is an instructor in CIA's Painting and Foundation departments. Ingrisano, who has been living and working in Brooklyn, New York, shows with Lesley Heller Workspace. He has taught at Briarcliffe College since 2011 and was a contributing essayist to Sharon Louden’s book, Living and Sustaining a Creative Life. He earned an MFA from Pratt Institute.

Sarah Kabot sarahkabotart01.jpgsarahkabotart02.jpg

Sarah Kabot

Title Associate Professor/Chair of Drawing
Department Painting
Phone 216.421.7931

Courses  100 Drawings | Advanced Drawing: Senior Major Day | BFA Statement + Exhibition | Drawing I | Drawing II | Drawing: Intro to Advanced Observation, Illusionism, + Concept | Image + Form I | Image + Form II: Reproducibility

Degree MFA, Fiber, Cranbrook Academy of Art; BFA, University of Michigan

Sarah's work has been exhibited in galleries such as Vermont Studio Center; the Cultural Center of Polecni, Pieksamaki, Finland; Reinberger Gallery, Cleveland Institute of Art; and SPACES gallery, Cleveland, among others. Her awards have included a CAA Tuition Grant (2000-2002); a Merit Scholarship and Grant to the Vermont Studio Center (1999); and a Merit Scholarship for the University of Michigan (1998).

Amber Kempthorn

Title Adjunct Faculty
Department Painting
Phone 216.421.7000

Courses  100 Drawings | Drawing Beyond Observation | Drawing I | Drawing: Style Context | Image + Form I | Sculpture: Aesthetic + Functional Structure

Indra Lacis

Title Adjunct Faculty
Department Painting
Phone 216.421.7000

Courses  Art & Design History III: 1945-Present | Role of the Artist as Producer

Corrie Slawson

Title Adjunct Faculty
Department Painting
Phone 216.421.7480

Courses  Senior Studio: BFA Research | The Liberated Print: Investigation of Alternative Methods

Josť Carlos Teixeira

Josť Carlos Teixeira

Title Champney Family Professor of Art
Department Painting
Phone 216.421.7000

Courses  Charette: Self + Other Voices | Issues in 20th & 21st Century Art | Role of the Artist as Producer | The Artist & Social Practice

Degree MFA, Interdisciplinary Studio, University of California Los Angeles; BFA, School of Fine Arts, University of Porto (Portugal)

José Carlos Teixeira is currently the Champney Family Visiting Professor at Case Western Reserve University Art History department, and at the Cleveland Institute of Art. His interdisciplinary work involves primarily video-essay, photography, installation, text, and performance. Notions of identity, otherness, language, boundary, exile and displacement, are recurrent themes in his creative and theoretical investigation. Through performative strategies, his pieces explore issues related to locational identity, global diaspora, the limits (or overlapping) of personal and social territories, and the definition of physical and psychological spaces. They attempt to generate not a set of conclusions, but a continuous process of inquiry. Usually coming from a subjective and contextual approach, the artist focuses on collaboration, participation, and dialogue, therefore incorporating multiple voices into his moving image projects.

His work has been shown in exhibitions, festivals, and screenings both in Europe (Portugal, Spain, France, Belgium, Germany, UK, Norway, Sweden, Russia, and Lithuania) and in the USA (New York, Boston, Los Angeles, Cleveland, Atlanta, Tucson, Madison, to name a few), as well as in Brazil, Singapore, China, Mozambique, Angola, and South Africa. Teixeira has been the recipient of the Fulbright Grant, Gulbenkian Foundation Grant, UCLA Fellowship, Samuel Booth Award, D’Arcy Hayman Award, Fuso Video Festival Jury Prize 2011, and the 2005 EDP New Artists Prize nomination. In 2008-09, he was a fellow at the Akademie Schloss Solitude in Stuttgart, and he recently developed residency projects at the MacDowell Colony (NH), and the Headlands Center for the Arts (CA).

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