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Printmaking: Advanced Topics

Course No. PRI 35X-45X  Credits: 3.0
Faculty Maggie Denk-Leigh

This is an advanced studio supporting the student in the refinement of their visual voice and skill level as realized in the production of prints and supporting studio work. Faculty and students develop the outline of course work for the semester through individual and group critiques encouraging the cultivation of their visual erudition and assisting in the student’s development Possible combinations of the various techniques for single or multiple impressions are addressed. The student develops the ability to discern qualities unique to the field through material presented in lectures and hands-on demonstrations of technical processes and procedures. As the student engages in the production of a body of work, they become informed of the particular characteristics and advantages of print as a medium and develop the ability to critically respond to aesthetics and concepts both within and beyond the field. Required senior year, Fall.

Printmaking: Advanced Topics

Course No. PRI 350-450  Credits: 3.0
Faculty Maggie Denk-Leigh

This is an advanced studio supporting the student in the refinement of their visual voice and skill level as realized in the production of prints and supporting studio work. Faculty and students develop the outline of course work for the semester through individual and group critiques encouraging the cultivation of their visual erudition and assisting in the student’s development. Possible combinations of the various techniques for single or multiple impressions are addressed. The student develops the ability to discern qualities unique to the field through material presented in lectures and hands-on demonstrations of technical processes and procedures. As the student engages in the production of a body of work, they become informed of the particular characteristics and advantages of print as a medium and develop the ability to critically respond to aesthetics and concepts both within and beyond the field. Offered fall.

Printmaking: Internship

Course No. PRI 499  Credits: 0.0

Elective credit can be given on a case-by- case basis for an internship developed by student through the career services office, with advance permission of instructor and head of department.

Printmaking: The Artist's Book Now: Artist Book As Image

Course No. PRI331.1  Credits: 3.0

This studio course focuses on boundaries of book form, emphasis on image and concept, and selection of appropriate form [output] to content. Students will be encouraged to view the book as a conceptual space. Deeper development of sequencing and narrative in traditional and nontraditional formats. Forms covered on individual project basis as dictated by idea/concept for appropriate output/manifestation. Considerations include sculptural, installation, digital output, etc. Examples and contemporary developments regarding the evolution of the artist book are examined through texts, through the use of our library's artist book collection, in discussion, and during critiques. Notes: This course is open to all, and fulfills an introductory, intermediate and advanced level elective course. 3 credits.

Printmaking: The Artist's Book Now: Artist Book As Image

Course No. PRI431.1  Credits: 3.0

This studio course focuses on boundaries of book form, emphasis on image and concept, and selection of appropriate form [output] to content. Students will be encouraged to view the book as a conceptual space. Deeper development of sequencing and narrative in traditional and nontraditional formats. Forms covered on individual project basis as dictated by idea/concept for appropriate output/manifestation. Considerations include sculptural, installation, digital output, etc. Examples and contemporary developments regarding the evolution of the artist book are examined through texts, through the use of our library's artist book collection, in discussion, and during critiques. Notes: This course is open to all, and fulfills an introductory, intermediate and advanced level elective course. 3 credits.

Production Seminar

Course No. GDS 360  Credits: 3.0
Faculty Eugene Pawlowski

This required course begins with one simple question: What do you want to make? The rest of the course is devoted to learning how to "make things" in the vast array of facilities open to today's designers. The process of making things is approached from a practical side (understanding materials and digital tools) and a theoretical side (social responsibility and sustainability). Students learn to form successful teams to define and produce projects. Prerequisite: Design for Communication and Typography or Permission of the Instructor. Offered fall.

Professional Practices

Course No. GEN 398  Credits: 3.0
Faculty Adrian Slattery | Barry Underwood | Daniel Cuffaro | Maggie Denk-Leigh

This course provides the student an overview of the environment surrounding the business of art and design, and the practice of the individual. A core lecture series covers self-promotion, networking, ethics, intellectual property, contracts, professional development, and guidance by practicing professionals. Students must select one of the breakout sections. Industry section supports student preparation to become an integral part of a commercial organization by providing an understanding of corporate methods and practices. Entrepreneur section transports the student through the key decisions required to establish a successful art/design business. Studio to Gallery section focuses on the complexities of a professional artistÕs studio practice by examining interactions with gallery directors, museum curators, preparators, conservators, and marketing professionals. This course is a required for all academic majors and encouraged for students in their Junior year of study. Offered fall and spring.

Professional Standards in Illustration

Course No. ILL 370  Credits: 3.0
Faculty Larry O'Neal

Introduction for junior students in dealing with professional standards set by the Illustration market place. Concentration on the preparation of art work to meet the demands required for successful application for client needs. Students will gain an appreciation for deadlines, client expectations and business practices in collaboration of real-world scenarios. Offered fall and spring.

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