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Exhibitions
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Story: Aug 18, 2014

2014 grad to design whimsical playgrounds for Colorado compa...

View details 2014 Faculty Exhibition

CIA Exhibition: Aug 28, 2014

2014 Faculty Exhibition

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Story: Aug 18, 2014

CIA again named to "Best in the Midwest" list

View details 2014 Faculty Exhibition Opening Reception

CIA Exhibition: Aug 28, 2014

2014 Faculty Exhibition Opening Reception

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Social: about 18 hours ago via Facebook

Mark you calendars now: In a tradition that dates back to 1906, Cleveland Institute of Art will showcase works by its internationally collected faculty members ...

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Story: Aug 13, 2014

Biomedical grad wins award for animation on stuttering

View details Mizoguchi's Greatest Decade

Events: Sep 06, 2014

Mizoguchi's Greatest Decade

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Story: Aug 11, 2014

Student-designed app teaches embryology, improves scores

View details Filmmaker and author John Waters to present one-man show

Events: Sep 27, 2014

Filmmaker and author John Waters to present one-man show

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Blog: Aug 19, 2014

8/21-24: Harold Lloyd in The Freshman, Filth, Dormant Beauty & more!

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Story: Jul 23, 2014

Professor's productive year saw exhibitions, acquisitions, r...

View details Fall 2014 Open House

Events: Nov 15, 2014

Fall 2014 Open House

Academics . Courses

Courses Courses

Collage + Assemblage

Course No. VAT 212-312-412  Credits: 3.0

Collage and Assemblage are among the most radical innovations of the early 20th century and these forms remain relevant today as sources for innovation and experimentation. Each of these forms acknowledges the fracture of contemporary life and the ongoing need for new means of expression. This course will explore the relationship between collage and assemblage and various disciplines within the visual arts including Painting, Print, and Drawing. Students will learn to discern the significantly different effects and content of the wide range of strategies these approaches encompass. Through classroom discussion, lectures, readings, critiques and studio work students will explore the possibilities available through collage and assemblage. Emphasis will be given to the historical and contemporary studio practices associated with collage and assemblage. This course is open to all students from all majors. Students will be encouraged to apply their area of expertise to the studio work.

Color, Scale, Mark, & Form

Course No. DRG341.1  Credits: 3.0
Prerequisite(s) Intro to Painting: Painting History: 1828-Present

Figurative', 'abstract', 'conceptual', 'non-objective', 'romantic landscape", "post-modern", artworks all have an underlying structure. This studio course examines how the specificity of color, scale, mark and shape form and affect a painting's content. Students will be encouraged to focus on their own body of work while exploring issues of content within the themes of the class through the investigation of their own studio practice, as well as looking at and analyzing the work of other artists throughout history. This course will be of particular interest to students in painting, drawing, & printmaking. Open to all Majors as Elective.

Color, Scale, Mark, & Form

Course No. DRG441.1  Credits: 3.0
Prerequisite(s) Intro to Painting: Painting History: 1828-Present

Figurative', 'abstract', 'conceptual', 'non-objective', 'romantic landscape", "post-modern", artworks all have an underlying structure. This studio course examines how the specificity of color, scale, mark and shape form and affect a painting's content. Students will be encouraged to focus on their own body of work while exploring issues of content within the themes of the class through the investigation of their own studio practice, as well as looking at and analyzing the work of other artists throughout history. This course will be of particular interest to students in painting, drawing, & printmaking. Open to all Majors as Elective.

Color, Scale, Mark, and Form

Course No. VAT 328-428  Credits: 3.0

Figurative’, ‘abstract’, ‘conceptual’, ‘non- objective’, ‘romantic landscape”, “post- modern”, “Bob Ross-ian”, paintings all have an underlying structure. This studio course examines how the specificity of color, scale, mark and shape form and affect a painting’s content. Students will be encouraged to focus on their own body of work while exploring issues of content within the themes of the class through the investigation of their own studio practice, as well as looking at and analyzing the work of other painters and artists throughout history. This course will be of particular interest to students in painting, drawing, + printmaking.

Communication Des - Internship

Course No. CDS399.1  Credits: 3.0

Communication Des: Internship

Course No. CDS499.1  Credits: 3.0

Communication Skills

Course No. IND 285  Credits: 3.0
Faculty Peter McEachen | Robert Martinez

This course will focus on the development of effective visual communication. An emphasis will be placed on exploring and communicating ideas through sketching, rendering, orthographic drawing, modeling and verbal/visual presentation. Studio time will include demos, one-day assignments, work time and one-on-one instruction. Coursework is designed to align with projects in Industrial Design 1.1. Offered sophomore fall.

Communication Skills

Course No. IND 286  Credits: 3.0
Faculty Dennis Futo | Peter McEachen | Robert Martinez
Prerequisite(s) Communication Skills

This course is an extension of Fall Communication Skills and will focus on the development of effective visual communication. An emphasis will be placed on exploring and communicating ideas through sketching, rendering, orthographic drawing, modeling and verbal/visual presentation. Digital communication tools and techniques will be introduced, including the use of digital drawing tablets. Studio time will include demos, one-day assignments, work time and one-on-one instruction. Coursework is designed to align with projects in Industrial Design 1.2. (prerequisite: Communications Skills 1.1). Offered sophomore spring.

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Community Works

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Cores + Connections

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