Mar 04, 2014
Ten CIA grads talk about automotive design careers in three new videos
Feb 14, 2014
2014 Student Independent Exhibition
Feb 26, 2014
CIA students explore sound art and contemporary music as they relate to the visual arts
Mar 28, 2014
Dinner by Design – Art of the Table, and a runway show
about 11 hours ago via Facebook
Join us in Aitken Auditorium tomorrow, March 7 at 12:15pm for this week's Lunch On Fridays presentation, featuring adjunct faculty member Chris Auerbach-Brown, who will discuss music-based artwork in his talk, "Sound is an Onion." Pizza + beverages will be provided! See more information at http://ow.ly/ueXEd.
Feb 19, 2014
Photography major captures images on hand-blown glass
Mar 28, 2014
The Accident: Recent Work by Nicky Nodjoumi
Feb 14, 2014
Glass major wins award in Niche magazine competition
Apr 22, 2014 @ Museum of Contemporary Art Cleveland in Cleveland, OH
2014 Spring Design Show
Mar 05, 2014
3/6-9: Jon Jost in person, Bettie Page Reveals All, THe Pawnbroker & more!
Title Technical Specialist/Adjunct Faculty
Degree MFA Painting Boston University; BFA Studio Art New York Universityexpand collapse
Title Adjunct Faculty
Degree MFA, University of Texas, Austin, Texas; BFA, Carnegie Mellon University (Carnegie Institute of Technology), Pittsburgh, Pennsylvaniaexpand collapse
Title Adjunct Faculty
Degree MFA, School of the Art Institute of Chicago; BFA in Photography and Design, Cranbrook Academy of Art
Professor of Photography and Digital Imaging at the Cleveland Institute of Art, Toles has contributed in her field as an arts educator for over two decades. Recognized for her development of experimental processes related to high-voltage photographic imagery, she is an inventive contributor in her field. Her work can be located in collections nationally, including the John D. and Catherine T. MacArthur Foundation, Museum of Contemporary Photography, Chicago, First National Collection in Chicago, State of Illinois, State of Florida. Her work has been published in the US, Japan and Germany. Exhibitions include the Corcoran Gallery, Washington D.C, Boston Photographic Resource Center, SPACES Gallery, MOCA-Cleveland, and the Kohler, Akron, Cleveland, Columbus, and Grand Rapids Art Museums. Current work engages digital print technologies with early nineteenth century photography and optics, often combining photographic images with sculptural components. She creates digital negatives from an assortment of optical equipment and inventions, coupling these with unique alternative processes for both chemical and digital output. Inspired by her experiences in Provence, heart of photography’s early inventions, with a love of art, science, and critical thinking, she is an alchemist among photographers, with a desire to engage the multidisciplinary scope and interconnections inherent in this media.
Prof. Toles is a recipient of Ohio, Florida and Illinois Arts Council Individual Artist Fellowships and National Endowment for the Humanities project grant. She represented the state of Ohio as an Artist in Residence at Cimelice, in the Czech Republic.expand collapse
Title Assistant Professor/Chair of Painting
Degree MFA from Clemson University in the discipline of painting and a BA from Michigan State University in ceramics.
Tommy White, born in Detroit, received his M.F.A. from Clemson University in the discipline of painting and a B.A. from Michigan State University in ceramics. His work is included in many private collections as well as the permanent collections of the Mobile Museum of Art in Alabama, Binney and Smith, Inc. (former manufacturer of Liquitex products), and the Capital One Corporation. He has exhibited in nineteen states, the District of Columbia, Melbourne, Australia, and Seoul, South Korea. Prior to becoming Assistant Professor of Painting at the Cleveland Institute of Art, he spent three years teaching painting and drawing at the University of Oklahoma and nine years with Virginia Commonwealth University as an educator and administrator. He maintains a professional working studio in Cleveland Heights, Ohio.expand collapse
Courses Aesthetics, Style, and Content | BFA Production + Independent Research: Research + Production. | Charette: Self + Other Voices | Drawing I | Drawing II | Systems Drawing | The Rhetorical Object: Conceptual Constructions
Degree Freie Kunstschule (Independent Art School) Nurtingen (Germany)
Academy of Fine Arts at the Staatlicen Akademie der Bildenden Kunste (State Academy of the Fine Arts), Stuttgart (Germany) MFA
Christian Wulffen has been an Associate Professor since 2003.
I am concerned with how artists achieve knowledge and how they structure knowledge. This intersects with my concern as a teacher and artist, to encourage participants to reflect on the processes that an artist goes through--for example, an intuitive creative thinking process, intentional purposeful engagement, and adherence to a model or system.
These thought processes can be contextualized further by situating them within larger theories of knowledge production, as outlined by W. J. T. Mitchell: “semiotics, structuralism, deconstruction, system theory, speech at theory, ordinary language philosophy and now image science or critical iconology”.
To convey this notion of action as a mode of knowledge production, I use specific symbols for my work, one of these: boards that are pre-manufactured with three vertical slots and one horizontal slot (plywood).
From the viewer’s perspective, the board has the option to hold various information. From my perspective, I see this as a concept to display information to exercise the different links in its display from one board to another. My environment is a grid—one of the hallmarks of modernist abstraction and capable, as a visual symbol, of signifying a whole system of art production and thought. This idea is depends on the perspective of the viewer and how that viewer is situated in a distributed network of production and reception of the information about this subject.
Crucially for me, the painting, the paper, and the board (as in my recent production), simulate the portability of information. I am interested in its mobility as a sign in which sender and recipient receive the same information but decode it differently depending on their respective environments.expand collapse
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