Dec 02, 2013
Industrial design grad gives TEDx talk on creative play
Nov 02, 2013
Cinematheque to show eight classic comedies by Ernst Lubitsch
Dec 02, 2013
CIA's Contemporary Artist Index: 31,000 strong, and now easier to use than ever
Nov 08, 2013
2013 Fall Exhibition
about 17 hours ago via Facebook
Brent Kee Young, professor and glass department chair, with CIA alum Mark Sudduth '83 in the glass studio. #throwbackthursday #tbt
Nov 22, 2013
CIA wins UCI award for Euclid Avenue ArtBox project
Dec 03, 2013
Fall Foundation Show
Nov 21, 2013
Sophomore's photo inspires magic on the big screen
Dec 06, 2013
2013 Student Holiday Show
Dec 03, 2013
12/5-8: AT BERKELEY, A TOUCH OF SIN, PORTRAIT OF JASON & more!
Title Associate Professor
Degree MFA, Hoffberger School of Painting, Maryland Institute College of Art
Scott Ligon is an award-winning digital artist and filmmaker. He is the coordinator for the digital foundation curriculum at the Cleveland Institute of Art.
He received his MFA from the Maryland Institute College of Art where he studied under renowned original abstract expressionist Grace Hartigan and attended “Perspectives on Criticism” classes taught by Robert Storr, formerly senior curator of painting and sculpture at New York’s Museum of Modern Art.
Early in his career, Scott made a living as a graphic designer and illustrator for ad agencies around the Washington DC area. This enabled Scott to learn digital art software. Scott utilized his perspective as a painter to explore the expansive possibilities of digital technology as an art- making tool.
Scott is the author of Digital Art Revolution, Creating Fine Art with Photoshop. The book was published in March 2010 by Watson-Guptill, a division of Random House, the premiere publisher in books. The book is currently in its second printing and an eBook version was released in July 2011, available for Kindle, Nook, iPad and other eBook formats.
His award-winning animated short film, Escape Velocity, about the connection between ADHD and creativity, has played in festivals and theaters all over the world. Escape Velocity plays regularly on the Documentary Channel in the USA and Shorts TV in Europe. The film recently signed a third television deal with LAPTV, a partnership of four major entertainment giants, 20th Century Fox, MGM, Paramount, and Fox TV in Latin America. The film is distributed by Shorts International, the world’s leading short film brand.
He has recently completed his second short film, Figure/Ground about the death of his father. It features veteran actor Allan Kulakow who has been in several movies, including Death by Dawn, Syriana, The Good Shepherd, and HBO’s Something the Lord Made. He appeared as the Joint Chief of Staff on NBC’s West Wing. Figure/Ground is currently making a film festival tour and was recently signed to an exclusive distribution agreement with Future Shorts in London. Future Shorts is a short film distributor whose partners include HBO and Sony Computer Entertainment.
Scott is currently working on his first feature film, a documentary about creativity called The Big Picture.
Degree MFA, School of the Art Institute of Chicago; BFA in Photography and Design, Cranbrook Academy of Art
Professor of Photography and Digital Imaging at the Cleveland Institute of Art, Toles has contributed in her field as an arts educator for over two decades. Recognized for her development of experimental processes related to high-voltage photographic imagery, she is an inventive contributor in her field. Her work can be located in collections nationally, including the John D. and Catherine T. MacArthur Foundation, Museum of Contemporary Photography, Chicago, First National Collection in Chicago, State of Illinois, State of Florida. Her work has been published in the US, Japan and Germany. Exhibitions include the Corcoran Gallery, Washington D.C, Boston Photographic Resource Center, SPACES Gallery, MOCA-Cleveland, and the Kohler, Akron, Cleveland, Columbus, and Grand Rapids Art Museums. Current work engages digital print technologies with early nineteenth century photography and optics, often combining photographic images with sculptural components. She creates digital negatives from an assortment of optical equipment and inventions, coupling these with unique alternative processes for both chemical and digital output. Inspired by her experiences in Provence, heart of photography’s early inventions, with a love of art, science, and critical thinking, she is an alchemist among photographers, with a desire to engage the multidisciplinary scope and interconnections inherent in this media.
Prof. Toles is a recipient of Ohio, Florida and Illinois Arts Council Individual Artist Fellowships and National Endowment for the Humanities project grant. She represented the state of Ohio as an Artist in Residence at Cimelice, in the Czech Republic.expand collapse
Title Assistant Professor/Chair of Painting
Degree MFA from Clemson University in the discipline of painting and a BA from Michigan State University in ceramics.
Tommy White, born in Detroit, received his M.F.A. from Clemson University in the discipline of painting and a B.A. from Michigan State University in ceramics. His work is included in many private collections as well as the permanent collections of the Mobile Museum of Art in Alabama, Binney and Smith, Inc. (former manufacturer of Liquitex products), and the Capital One Corporation. He has exhibited in nineteen states, the District of Columbia, Melbourne, Australia, and Seoul, South Korea. Prior to becoming Assistant Professor of Painting at the Cleveland Institute of Art, he spent three years teaching painting and drawing at the University of Oklahoma and nine years with Virginia Commonwealth University as an educator and administrator. He maintains a professional working studio in Cleveland Heights, Ohio.expand collapse
Degree Freie Kunstschule (Independent Art School) Nurtingen (Germany)
Academy of Fine Arts at the Staatlicen Akademie der Bildenden Kunste (State Academy of the Fine Arts), Stuttgart (Germany) MFA
Christian Wulffen has been an Associate Professor since 2003.
I am concerned with how artists achieve knowledge and how they structure knowledge. This intersects with my concern as a teacher and artist, to encourage participants to reflect on the processes that an artist goes through--for example, an intuitive creative thinking process, intentional purposeful engagement, and adherence to a model or system.
These thought processes can be contextualized further by situating them within larger theories of knowledge production, as outlined by W. J. T. Mitchell: “semiotics, structuralism, deconstruction, system theory, speech at theory, ordinary language philosophy and now image science or critical iconology”.
To convey this notion of action as a mode of knowledge production, I use specific symbols for my work, one of these: boards that are pre-manufactured with three vertical slots and one horizontal slot (plywood).
From the viewer’s perspective, the board has the option to hold various information. From my perspective, I see this as a concept to display information to exercise the different links in its display from one board to another. My environment is a grid—one of the hallmarks of modernist abstraction and capable, as a visual symbol, of signifying a whole system of art production and thought. This idea is depends on the perspective of the viewer and how that viewer is situated in a distributed network of production and reception of the information about this subject.
Crucially for me, the painting, the paper, and the board (as in my recent production), simulate the portability of information. I am interested in its mobility as a sign in which sender and recipient receive the same information but decode it differently depending on their respective environments.expand collapse
Title Adjunct Faculty
Title Technical Specialist
Title Adjunct Faculty
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