Search
Library
View full story brittanylockwood1.jpg

story

Aug 18, 2014

2014 grad to design whimsical playgrounds for Colorado company

View details 2014 Faculty Exhibition Opening Reception

cia exhibition

Aug 28, 2014

2014 Faculty Exhibition Opening Reception

View full story liberal-artscma.jpg

story

Aug 18, 2014

CIA again named to "Best in the Midwest" list

View details 2014 Faculty Exhibition

cia exhibition

Aug 28, 2014

2014 Faculty Exhibition

View Link

social

about 5 hours ago via Facebook

Were so excited to have the incoming first-year students move in to our new Uptown Residence Hall tomorrow. Welcome to CIA! And if you'll be moving in, we want to hear from you! Share your experience with us by posting images on Instagram and using the hashtag #welcometocia.

View full story emilyhromi-stillforscreen.jpg

story

Aug 13, 2014

Biomedical grad wins award for animation on stuttering

View details Filmmaker and author John Waters to present one-man show

events

Sep 27, 2014

Filmmaker and author John Waters to present one-man show

View full story cnswithlabelsfullscreen.jpg

story

Aug 11, 2014

Student-designed app teaches embryology, improves scores

View details Fall 2014 Open House

events

Nov 15, 2014

Fall 2014 Open House

View details picresized1406427570dormantbeauty2.jpg

blog

Aug 19, 2014

8/21-24: Harold Lloyd in The Freshman, Filth, Dormant Beauty & more!

Academics . Foundation . Faculty . Christian Wulffen

Foundation

Christian Wulffen

Christian Wulffen

Title Professor
Department Foundation
Phone 216.421.7931

Courses  Aesthetics, Style, and Content | BFA Production + Independent Research: Research + Production. | Charette: Self + Other Voices | Drawing I | Drawing II | Systems Drawing | The Rhetorical Object: Conceptual Constructions

Christian Wulffen has been an Associate Professor since 2003.

Artist Statement:

I am concerned with how artists achieve knowledge and how they structure knowledge. This intersects with my concern as a teacher and artist, to encourage participants to reflect on the processes that an artist goes through--for example, an intuitive creative thinking process, intentional purposeful engagement, and adherence to a model or system.

These thought processes can be contextualized further by situating them within larger theories of knowledge production, as outlined by W. J. T. Mitchell: “semiotics, structuralism, deconstruction, system theory, speech at theory, ordinary language philosophy and now image science or critical iconology”.

To convey this notion of action as a mode of knowledge production, I use specific symbols for my work, one of these: boards that are pre-manufactured with three vertical slots and one horizontal slot (plywood).

From the viewer’s perspective, the board has the option to hold various information. From my perspective,

... read more

Christian Wulffen has been an Associate Professor since 2003.

Artist Statement:

I am concerned with how artists achieve knowledge and how they structure knowledge. This intersects with my concern as a teacher and artist, to encourage participants to reflect on the processes that an artist goes through--for example, an intuitive creative thinking process, intentional purposeful engagement, and adherence to a model or system.

These thought processes can be contextualized further by situating them within larger theories of knowledge production, as outlined by W. J. T. Mitchell: “semiotics, structuralism, deconstruction, system theory, speech at theory, ordinary language philosophy and now image science or critical iconology”.

To convey this notion of action as a mode of knowledge production, I use specific symbols for my work, one of these: boards that are pre-manufactured with three vertical slots and one horizontal slot (plywood).

From the viewer’s perspective, the board has the option to hold various information. From my perspective, I see this as a concept to display information to exercise the different links in its display from one board to another. My environment is a grid—one of the hallmarks of modernist abstraction and capable, as a visual symbol, of signifying a whole system of art production and thought. This idea is depends on the perspective of the viewer and how that viewer is situated in a distributed network of production and reception of the information about this subject.

Crucially for me, the painting, the paper, and the board (as in my recent production), simulate the portability of information. I am interested in its mobility as a sign in which sender and recipient receive the same information but decode it differently depending on their respective environments.

Degree Freie Kunstschule (Independent Art School) Nurtingen (Germany)
Academy of Fine Arts at the Staatlicen Akademie der Bildenden Kunste (State Academy of the Fine Arts), Stuttgart (Germany) MFA

Zoom
<strong>Text On Canvas #9/100</strong><br />Christian  Wulffen, 2012<br />Acrylic on Canvas, Tape
<strong>It is, It is not</strong><br />Christian  Wulffen, January 3 ?Entrance to MOCA Exhibition entitled "It is, It is not" (2009)" width="493" height="370" style="margin: 0 0 0 31px;" />
<strong>Text On Canvas #9/100</strong><br />Christian  Wulffen, 2012<br />Acrylic on Canvas, Tape
<strong>It is, It is not</strong><br />Christian  Wulffen, January 3 ?Entrance to MOCA Exhibition entitled "It is, It is not" (2009)" width="81" height="61" />
IT Help Desk

IT Help Desk

Running into trouble with your iPad? Submit an inquiry by clicking here, and CIA’s IT department will get back to you with a solution!

Cores + Connections

Our connections are your connections.

While at CIA, you'll learn from the masters through our rigorous, world-class curriculum and connect with working professionals to begin your career.

Read More

Community Works

Visiting artists, exhibitions, conference and symposia exploring socially engaged art.

Read More

Support CIA

Show the world creativity matters: make a gift to the annual fund.

Read More

Cores + Connections

Learn more about CIA's proven method for academic and professional excellence.