Mar 04, 2014
Ten CIA grads talk about automotive design careers in three new videos
Feb 14, 2014
2014 Student Independent Exhibition
Feb 28, 2014
Progressive acquires artwork by CIA instructor Dan Tranberg
Mar 28, 2014
The Accident: Recent Work by Nicky Nodjoumi
a day ago via Facebook
Rainy Saturday in Cleveland? Shake off the weather blahs at SIE, the Student Independent Exhibition, on view in CIA’s Reinberger Galleries through March 15. For details, gallery hours, and list of this year’s award winners, go to: http://ow.ly/ultVi http://ow.ly/i/4OVK8 http://ow.ly/i/4OVPE
Feb 19, 2014
Photography major captures images on hand-blown glass
Mar 28, 2014
Dinner by Design – Art of the Table, and a runway show
Feb 14, 2014
Glass major wins award in Niche magazine competition
Apr 22, 2014 @ Museum of Contemporary Art Cleveland in Cleveland, OH
2014 Spring Design Show
Mar 05, 2014
3/6-9: Jon Jost in person, Bettie Page Reveals All, THe Pawnbroker & more!
Course No. FND118 Credits: 3.0
Faculty Barbara Chira | Christian Wulffen | Douglas Sanderson | Gretchen Goss | Jenniffer Omaitz | Jimmy Kuehnle | Kim Bissett | Michael Meier | Sai Sinbondit | Sarah Kabot | Terry Clark | Tommy White
Prerequisite(s) Drawing I
Drawing 2 continues to build on basic drawing concepts, methods, and materials that were introduced in the previous semester. Emphasis for Drawing 2 is on the human figure, with observational drawing from the live model in the classroom, and weekly out-of-class drawing assignments which explore various figurative concepts. Special attention is given to composition, visual analysis, and expression through drawing from observation, including perspective theories as they relate to objects and environments. The language of mark making is also introduced in a range of drawing media. Students develop a personal approach through the use of drawing/sketchbooks. Students are challenged to incorporate skills and theories into resolved drawings; to think critically regarding the content and process of drawing; to develop confidence when experimenting with new media; and to develop vocabulary in order to be an active, informed participant in class discussions and critiques. Prerequisite: FND117 Drawing I. Offered spring.
Freshman Elective: Crafts: Ideas, Objects, Traditions
This course offers students a hands-on studio experience in four major studios with six of CIA’s most experienced faculty. Through a variety of materials and processes used in the Ceramics, Glass, and Jewelry and Metals department, students can examine the potential for two-dimensional image, three- dimensional form, and the Cultural importance of craft. During this class you will be introduced to and familiarize yourself with each of these disciplines while gaining valuable hands-on skills in diverse materials and design approaches. Offered spring.
Freshman Elective: Design
Course No. FND130D Credits: 3.0
For freshmen interested in the areas of Graphic Design, Industrial Design, and Interior Design. Offered spring.
Freshman Elective: Integrated Media: Image, Light
Course No. FND130I Credits: 3.0
This class is designed to introduce students to working with integrated media. Each student will complete several projects, some group and some individual. The projects will focus on conceptual development and integration of media. Students will be expected to experiment with different media, both familiar and unfamiliar. We will explore the various disciplines within the Integrated Media Environment: Biomedical Art, Illustration, Photography, Video, Sound, Game Design, Animation and Emerging Media. Students will often choose the medium they are working with, but will always be required to integrate another medium or discipline to complete a project successfully. Offered spring.
Freshman Elective: Visual Arts + Technologies: Contemporary Art Practice
Course No. FND130V Credits: 3.0
Students will be introduced to: Basic concepts and skills relating to contemporary art practices in Image Making; Aspects of Visual Literacy and the Process of Criticism; Focus on the vocabulary directly relevant to the field of Image Making within the Contemporary Art Context.
Students will explore: How to turn Intuitions into Subjects; The Role of experimentation and risk taking in art-making; Traditional and non-traditional materials, processes and forms; How to formulate critical judgment; The relation between ideation and realization.
This one-half semester course introduces color in subtractive synthesis (pigment). This course explores color theory, perception, and application, through a series of three fundamental color investigations offering opportunities for multiple compositional solutions and the development of material skills. In tandem with its companion course, Digital Color, students pursue a personal color sensibility, in preparation for any art or design field. Course structure consists of introductory concept lectures, technical instruction, studio time with guidance, and group critique of finished assignments. Offered fall.
Running into trouble with your iPad? Submit an inquiry by clicking here, and CIA’s IT department will get back to you with a solution!
Academic Director, Cores & Connections
While at CIA, you'll learn from the masters through our rigorous, world-class curriculum and connect with working professionals to begin your career.