Story: Aug 27, 2014
New residence hall welcomes first-year students in comfort, ...
CIA Exhibition: Aug 28, 2014
2014 Faculty Exhibition
Story: Aug 18, 2014
2014 grad to design whimsical playgrounds for Colorado compa...
Events: Sep 05, 2014
Lunch On Fridays: Kasumi
Social: 3 days ago via Facebook
We love to hear the excited reactions from our incoming class, who are the first to live in CIA's new Uptown Residence Hall. One student, Emily Linville, sai...
Story: Aug 18, 2014
CIA again named to "Best in the Midwest" list
Events: Sep 06, 2014
Mizoguchi's Greatest Decade
Story: Aug 13, 2014
Biomedical grad wins award for animation on stuttering
Events: Sep 27, 2014
Filmmaker and author John Waters to present one-man show
Blog: Aug 26, 2014
8/28-31: Finding Vivian Maier, Stand Clear of the Closing Doors & more!
Surveying the CIA-affiliated artworks in the collection of the Cleveland Museum of Art, one can sometimes note changes in art media, in addition to changes in the predominant taste or style. For example, the groundbreaking exhibition Painting with Fire: Masters of Enameling in America, 1930-1908 (2007), curated by Bernard N. and Harold B. Nelson Jazzar, shows why American enamels then were so closely associated with the Cleveland Institute of Art. Today enameling techniques remain part of the CIA curriculum, but no longer do students major in the field.
In contrast, photography appears to be rising in importance among today’s CIA artists, whether faculty, staff, students, or alumni. Starting in the 1990s, CMA has begun adding CIA photographic work to its permanent collection, a trend that seems likely to continue, as recent graduates, faculty, and staff members are continuing to win prizes and garner positive reviews, both locally and nationally.
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